The First One Hundred
No. 42 - Monolit
African ebony gives this fountain pen an almost absolute visual purity, with its dense black surface allowing the form itself to take precedence over ornament. The black nib and brushed metal section reinforce the restrained character of the piece, creating a precise, monolithic object with a quiet architectural presence.
Edition
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Price
€400.00
Archive and private collection entries are not available for direct purchase.
Material
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Year
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Ownership record
Certificate and permanent archive.
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Download care guidePiece updated: 27 Sept 2026
Object notes
Material, surface and intention.
Monolit is built around reduction, of colour, ornament and visual noise. African ebony gives the piece its almost absolute blackness, allowing the geometry of the pen to become the central element and turning restraint itself into the defining aesthetic.
The body is shaped with deliberately clean proportions and a calm, architectural silhouette. Rather than using decorative detail to create identity, Monolit relies on mass, balance and surface, letting the density and depth of the ebony carry the visual weight of the composition.
A black Bock No. 6 nib and brushed metal section continue the monochromatic language while introducing the precision of engineered components. Inside, a Schmidt K5 converter provides a proven and dependable filling system beneath the individually shaped wooden exterior.
The result is a fountain pen with a quiet, monolithic presence, controlled, severe and intentionally understated. Monolit does not ask for attention through ornament; it holds it through proportion, material and the confidence to leave almost everything else out.